"ALL CAPS IN DEFENSE OF LIBERTY IS NO VICE."

Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Wednesday, June 05, 2024

VanCAF apologizes to artist Miriam Libicki for blacklisting her over her Israeli army service

A few days after the disgusting news that the Vancouver Comic Arts Festival in Canada banned artist Miriam Libicki over her service in the Israeli army, her left-wing positions notwithstanding, the Times of Israel/JTA now reports the convention's apologized for their abominable behavior, which did as much a disfavor to WW2 Holocaust and 9-11 victims as it did to victims of the Hamas on October 7, 2023:
A Vancouver comics festival apologized to a Jewish artist it had banned over her past Israeli military service and a Seattle museum announced it was recommitting to an exhibit on antisemitism that prompted a staff walkout, in two reversals of North American arts-world sanctions connected to the Israel-Hamas war.

Both the Vancouver Comic Arts Festival in Canada and the Wing Luke Museum in the United States had faced significant backlash over the actions they took because of pro-Palestinian activism.

“VanCAF has lost and continues to lose the trust of many we have sought to serve,”
the Vancouver festival said in a social media apology late Sunday, days after announcing that it was banning American-Israeli comics artist Miriam Libicki following activist complaints over her past IDF service.

The festival didn’t name Libicki in either its initial statement banning her — which it quickly removed from social media following backlash — or its lengthy new apology. But the ban referenced Libicki’s previous IDF service, which she has turned into a comic, while the apology referenced another specific work of hers: “But I Live,” a collaboration with Holocaust survivors.

After criticism from both Libicki and leaders of major Canadian Jewish institutions, VanCAF said in its apology that “the vast majority” of people involved in the ban have resigned from its board. The group said it was entering a new “transition period” as a result of the fallout, and added that it has no full-time staff and it is entirely volunteer-run.
Those who left the convention's board are no loss, and do not belong in the entertainment business in any way, shape or form. Yet even now, much like Bud Light's transsexual scandal a few years ago, maybe anybody planning to boycott VanCAF should continue to do so, and definitely sit out this year's festival, which, for all we know, could end up being the last, if sponsors wise up and pull funding for them.
“Conflating the political with the practical safety of those attending our festival was the wrong stance to take,” the apology noted. VanCAF said it had issued the ban as a result of safety concerns after deeming that pro-Palestinian backlash to Libicki’s presence at its last two festivals had created a “volatile atmosphere.”

(A synagogue in Vancouver was targeted in an arson attack last week, elevating alarm after shooting attacks on Jewish sites in Toronto and Montreal. Authorities in Vancouver are investigating the arson as a hate crime.)

VanCAF is one of a growing number of arts institutions to face turmoil over the war sparked by Hamas’s October 7 attack, which has left some Jews feeling uncertain about their place in the arts world.

In Seattle, the Wing Luke Museum, an Asian American, Native Hawaiian and Pacific Islander heritage museum in Chinatown, will move forward with an exhibition on how the region’s Asian, Jewish and Black communities have all jointly responded to hate. The announcement came days after several museum staffers walked off the job, objecting to what they said were “Zionist perspectives” in the exhibit; the museum had temporarily shuttered following the walkout.

“We remain committed to the exhibit’s core message of confronting hate,” the museum said in a joint statement with the Washington State Jewish Historical Society, an exhibit partner, and the Black Heritage Society. “We acknowledge the complexity of this deeply challenging work. We understand that the bigotry, bias, and racism that affects our communities goes well beyond us to touch many. Though recent events have caused significant harm, we are undeterred.”

The three groups also said they would make some unspecified changes to the content, “offering additional framing on its genesis, the initial public reaction, and the history of our communities working together” before the exhibit reopens June 30. Staff had objected to some of the exhibit’s descriptions of modern-day antisemitism, including the inclusion of campus protests over October 7, and had demanded that the museum make changes including acknowledging a lack of Palestinian perspectives. The exhibit had been in the works since before October 7.
If the aforementioned pro-palestinians who caused a ruckus were to antagonize early comics contributors like Jerry Siegel and Joe Shuster (one of whom was Canadian-born), were they still alive today, would that sit well with VanCAF's management, which committed an act of cowardice if the above news is correct? What they should really be doing is hiring security to keep out any and all of these obsessed troublemakers, and should be vetting all workers they hire to make sure they're not obsessed with censoring anything positive in regards to Israel, and/or censoring any objective and critical view of Islam. There's a cartoonist named Bosch Fawstin, who's a former Muslim from regions like Albania, who's bravely criticized the Religion of Peace which he left, and people like him, tragically, are blacklisted by these pretentious festivals. All this cowardly panic is not helping to defeat jihadism at all, and the failure to seriously confront issues like Islamic terrorism have the effect of making movies and comics about the Holocaust look like a joke. If modern showbiz writers won't confront a modern issue, how can we believe they really care about a past one? Also consider issues like the Korean and Vietnam wars practically vanished from entertainment nearly 3 decades ago, are rarely discussed since, and WW1-related issues like the Armenian Genocide by Turkey's Islamic Ottoman empire, are also banned from study, in film, comics and other mediums in the west. This is exactly why the war against terrorism's been lost for many years.

For now, it remains to be seen if the "unspecified changes" the aforementioned groups announced they'd make will be honest ones. And if they continue to tiptoe around serious issues, they've effectively failed their mission, and VanCAF should continue to be boycotted to boot.

Thursday, August 15, 2013

WINDOWS OF CHEER

With all the grim hard news descending on our heads, take a moment of respite:


Article: "Colorful murals keep a daughter’s memory alive."

Wednesday, August 31, 2011

COVER THE SPHINX WITH WAX?

From this source:
The new and fresh like Arab Spring Egypt may desecrate the Sphinx...[and destroy]...the country’s $13 billion a year tourism industry while robbing the world of precious, priceless historical artifacts and landmarks. Welcome to Iran 2.0.
Fundamentalist Muslims do have a propensity for destroying artifacts. HERE is one example. Other examples abound.

What else might fundamentalist Muslims destroy in Egypt? See 13 things Egyptian your grandchildren will never see at Planck's Constant.

And Obama plans to praise the Arab Spring during the upcoming 9/11 commemoration.

Saturday, January 26, 2008

Monday, December 24, 2007

TRASHING CHRISTMAS NOT ENOUGH; NYTIMES NOW TRASHES "ODE TO JOY" - IN TIME FOR CHRISTMAS

NYTIMES: Ode to Joy,’ Followed by Chaos and Despair
By SLAVOJ ZIZEK

London

LAST week, European Union leaders put an end to a decade of diplomatic wrangling and signed the Treaty of Lisbon, which outlined a complete overhaul of the organization, including the creation of a permanent post of European Union president to represent Europe on the world stage. During the ceremony at Lisbon’s grandiose Jerónimos Monastery, a choir performed Beethoven’s “Ode to Joy” in the background. While the fourth movement of Beethoven’s Ninth Symphony, first performed in 1824, may seem an innocuous choice for the official anthem of the European Union (it was declared such in 1972), it actually tells much more than one would expect about Europe’s predicament today.

The “Ode to Joy” is more than just a universally popular piece of classical music that has become something of a cliché during the holiday season (especially, oddly, in Japan, where it has achieved cult status). It has also been, for more than a century, what literary theorists call an “empty signifier” — a symbol that can stand for anything.

In early 20th-century France, the Nobel laureate Romain Rolland declared it to be the great humanist ode to the brotherhood of all people, and it came to be called “the Marseillaise of humanity.” In 1938, it was performed as the high point of the Reichsmusiktage, the Nazi music festival, and was later used to celebrate Hitler’s birthday. In China during the Cultural Revolution, in an atmosphere of total rejection of European classics, it was redeemed by some as a piece of progressive class struggle.

In the 1950s and ’60s, when the West German and East German Olympic squads were forced to compete as a single team, gold medals were handed out to the strains of the “Ode to Joy” in lieu of a national anthem. It served as the anthem, too, for the Rhodesian white supremacist regime of Ian Smith. One can imagine a fictional performance at which all sworn enemies — Hitler and Stalin, Saddam Hussein and George W. Bush — for a moment forget their adversities and participate in the same magic moment of ecstatic musical brotherhood.
  • THIS IS NONSENSE.
  • THE ODE TO JOY IS NOT AN EMPTY SIGNIFIER.
  • AND THE ODE IS NOT MERELY AN ODE TO BROTHERHOOD OF MEN, BUT TO THE UNDERLYING FACT THAT WE ARE ALL BROTHERS BECAUSE WE ARE ALL CHILDREN OF GOD; IT IS A DEEPLY RELIGIOUS ODE.
  • AND NEITHER STALIN, HITLER, OR SADDAM WERE BELIEVERS.
EXCERPTS FROM THE ODE TO JOY:
Be embraced, you millions!
This kiss for the entire world!
Brothers, above the starry canopy
Must a loving Father reside.

... Do you fall before him, you millions?
Do you sense the Creator, world?
Seek him above the starry canopy,
Above the stars he must live.

... Endure courageously, you millions!
Endure for the better world!
Over the starry canopy
A good God will reward you!

... Close the holy circle tighter,
Swear by this golden vine:
Remain true to the vows,
Swear by the judge above the stars!
ZIZEK IS NOT A BELIEVER, AND SO "CONVENIENTLY" LEAVES THE FACT THAT THE ODE IS A RELIGIOUS WORK OF ART OUT OF HIS ATTACK PIECE POSING AS INSIGHT.

  • ZIZEK'S CRITICSM OF BEETHOVEN'S MASTERPIECE - PERHAPS THE GREATEST MUSIC EVER WRITTEN - APPEARS TO BE AN ATTACK ON EUROPE FOR LEAVING TURKEY OUT OF THE EU.
  • BUT DOES TURKEY REALLY BELONG IN THE EU - AFTER ALL, IT IS NOT EVEN IN EUROPE.
  • WHEN ASKED WHY HE FELT TURKEY DID NOT BELONG ON THE EU, SARKOZY EXPLAINED: "I CAN READ A MAP!"
  • TURKEY ONLY BELONGS IN EUROPE TO THOSE - LIKE ZIZEK - WHO WANT TO SEE EUROPE DESTROYED.


Žižek is well known for his use of the works of 20th century French psychoanalyst Jacques Lacan in a new reading of popular culture. He writes on countless topics including the Iraq War, fundamentalism, capitalism, tolerance, political correctness, globalization, subjectivity, human rights, Lenin, myth, cyberspace, postmodernism, multiculturalism, post-marxism, David Lynch, and Alfred Hitchcock. In an interview with the Spanish newspaper El País he jokingly described himself as an "orthodox Lacanian Stalinist".[1]

Recently, Žižek wrote text to accompany Bruce Weber photos in a catalogue for Abercrombie & Fitch. Questioned as to the seemliness of a major intellectual writing ad copy, Žižek told the Boston Globe: "If I were asked to choose between doing things like this to earn money and becoming fully employed as an American academic, kissing ass to get a tenured post, I would with pleasure choose writing for such journals!"[4]

He is widely regarded as a fiery and colorful lecturer who does not shy away from controversial remarks. His three part documentary The Pervert's Guide to Cinema was broadcast on British television by the More4 channel in July 2006 and is now available, worldwide, on DVD [3]. Zizek has been publishing on a regular basis in journals such as Lacanian Ink and In These Times in the United States, and in New Left Review and The London Review of Books in the United Kingdom.

  • A POSTMODERNIST OF THE WORST KIND.
  • A FOE OF GOD.
  • A FOE OF BEETHOVEN.

PERFECT FOR THE NYTIMES. ESPECIALLY ON CHRISTMAS EVE.

HERE'S A VIDEO LEONARD BERNSTEIN TALKING ABOUT THE ODE TO JOY AND PERFORMING IT IN VIENNA. WTWT!

(LONG-TIME FRIENDS OF THE ASTUTE BLOGGERS MAY REMEMBER THIS IS THE THIRD TIME I HAVE POSTED IT. YOU CAN'T GET TOO MUCH OF A GRRRRREAT THINGS!)


ZIZEK IS PASSE - A VESTIGE OF THE POSTMODERN LEFT WHO BELONGS ON THE TRASH HEAP WITH LACAN AND MARX AND STALIN AND DERRIDA AND - AND THE NYTIMES.

BEETHOVEN IS ETERNAL.


HERE ARE PARTS 2 AND 3...



Friday, November 30, 2007

WEEKEND WITH THE ARTS: GABRIEL FAURE

There's more to life than war, taxes and politics - and a lot of it's more fun, too! That's why every WEEKEND, here at THE ASTUTE BLOGGERS, we post some of the cultural things we're into, things we think you might also find entertaining, enriching, and stimulating.

After all, the arts - ALL ARTS, not just fine arts - are a big part of what our liberty is for, and what we're fighting to defend!

THIS WEEK: GABRIEL FAURE - A FEW DIFFERENT VERSIONS OF THE PAVANE, AND HIS VERSION OF LIBERA ME:

FAURE HIMSELF - ON A PLAYER PIANO!


JOHN WILLIAMS AND BRANFORD MARSALIS AND THE BOSTON POPS!


A SEXTET IN A MOSCOW LIBRARY!


VLADIMIR ASHKENAZY CONDUCTING A JAPANESE ORCHESTRA IN VIENNA!


*****************************
AND THIS BONUS SELECTION: FAURE'S LIBERA ME - FROM PORTUGAL - PLEASE USE THIS LINK - YOU WILL NOT BE DISAPPOINTED - IT'S AWESOME!:

http://www.youtube.com/watch?v=9XZCCR7DDUA

Libera Me is a part of the Requiem Mass of the Roman Catholic Church, as such it is in Latin.
These are the lyrics:

Libera Me

Libera me, Domine, de morte aeterna
in die illa tremenda
quando coeli movendi sunt et terra,
dum veneris judicare saeculum per ignem.

Tremens factus sum ego et timeo,
dum discussion venerit atque venture ira:
quando coeli movendi sunt et terra.

English Translation:

Deliver me, O Lord, from eternal death
on that awful day
when the heavens and earth shall be shaken
and you shall come to judge the world by fire.

I am seized with fear and trembling
until the trial is at hand and the wrath to come:
when the heavens and earth shall be shaken.

Saturday, November 24, 2007

WEEKEND WITH THE ARTS: RODRIGO

There's more to life than war, taxes and politics - and a lot of it's more fun, too! That's why every WEEKEND, here at THE ASTUTE BLOGGERS, we post some of the cultural things we're into, things we think you might also find entertaining, enriching, and stimulating.

After all, the arts - ALL ARTS, not just fine arts - are a big part of what our liberty is for, and what we're fighting to defend!

THIS WEEK: Narciso Yepes plays the Fantasía para un Gentilhombre de J.Rodrigo

(IN HONOR OF KING JUAN CARLOS - A GENTLEMAN AND A DEFENDER OF DEMOCRACY):









OH: AND CHARLES (THE BANNER) JOHNSON, AT LGF, IS A GREAT GUITAR AFICIONADO - MAYBE HE'LL LIKE IT TOO!?

Friday, November 16, 2007

WEEKEND WITH THE ARTS: THE GENIUS OF AFRICAN-AMERICAN ARTISTS

There's more to life than war, taxes and politics - and a lot of it's more fun, too! That's why every WEEKEND, here at THE ASTUTE BLOGGERS, we post some of the cultural things we're into, things we think you might also find entertaining, enriching, and stimulating. After all, the arts - ALL ARTS, not just fine arts - are a big part of what our liberty is for, and what we're fighting to defend!

THIS WEEK: A SMALL SAMPLING OF THE GENIUS OF AFRICAN-AMERICAN ARTISTS

  • NOTE: THE LATE GREAT AMERICAN JURIST - AND INSTAPUNDIT HERO - CHARLES BLACK, WAS A TEXAN WHO, AS A YOUNG MAN, HAD HIS CONDESCENDING ATTITUDE ABOUT BLACKS ERASED ON THE DAY HE WITNESSED THE INCREDIBLE GENIUS OF LOUIS ARMSTRONG.

  • WHATEVER IQ MEASURES - AND WHATEVER ITS DEMOGRAPHIC DISTRIBUTION MEANS - IT CANNOT DIMINISH THE GENIUS OF ARTISTS SUCH AS THESE. WITHOUT THEM AMERICAN CULTURE WOULD BE COMPARATIVELY POOR AND, WELL ER UM... MORE STUPID.

THESE ARE JUST A FEW OF MY FAVORITES. A COMPLETE LIST IS NEARLY ENDLESS.

  • I'M PRETTY SURE THAT IQ TESTS DON'T MEASURE THE GENIUS AND TALENT OF THESE ARTISTS.

  • IF I HAD 1/10TH THE TALENT - THE GENIUS - OF ANY ONE OF THESE ARTISTS, THEN I'D CONSIDER MYSELF BLESSED.

WE ARE ALL BLESSED BECAUSE THESE FINE INDIVIDUALS SHARED THEIR INCREDIBLE TALENT AND GENIUS WITH US.









Saturday, November 03, 2007

WEEKEND WITH THE ARTS: PROKOFIEV AND VILLA LOBOS

WEEKEND WITH THE ARTS: PROKOFIEV AND VILLA LOBOS

There's more to life than war, taxes and politics - and a lot of it's more fun, too! That's why every WEEKEND, here at THE ASTUTE BLOGGERS, we post some of the cultural things we're into, things we think you might also find entertaining, enriching, and stimulating.After all, the arts - ALL ARTS, not just fine arts - are a big part of what our liberty is for, and what we're fighting to defend!


FIRST UP THIS WEEK:
PROKOFIEV'S FIFTH SYMPHONY (ONE OF MY FAVORITES) - 2ND MOVEMENT (9 MINUTES):



ALL PROKOFIEV'S SYMPHONIES HERE.

HERE IS A PIECE BY COMPOSER HEITOR VILLA LOBOS - A GENIUS (9 MINUTES):


AND HERE'S ANOTHER - Bachianas Brasileiras Aria # 5:



ANOTHER VERSION:

Friday, October 26, 2007

WEEKEND WITH THE ARTS: RUSSIAN ARK

There's more to life than war, taxes and politics - and a lot of it's more fun, too! That's why every WEEKEND, here at THE ASTUTE BLOGGERS, we post some of the cultural things we're into, things we think you might also find entertaining, enriching, and stimulating. We just might turn you on to something cool.

After all, the arts - ALL ARTS, not just fine arts - are a big part of what our liberty is for, and what we're fighting to defend!

THIS WEEK: RUSSIAN ARK

WIKI:
A narrator, who is unnamed, and unseen by the audience, and voiced by the director, wanders through the Winter Palace (now the main building of Russian State Hermitage Museum) in St. Petersburg. The narrator implies that he has died, and is a ghost drifting through the palace. In each room he encounters various real and fictional people from various time periods in the city's three hundred year history. He is accompanied by a companion, 'the European' (played by Sergei Dreiden), who represents the nineteenth century traveller the Marquis de Custine, and who is visible to the audience. The fourth wall is repeatedly broken and re-erected; at times the narrator-director and the companion interact freely with the other performers, and at other times go completely unnoticed.

The film begins on a winter's day with the arrival by horse drawn carriage of a small party of men and women to a minor side entrance of the Winter Palace. The narrator (whose eyes are always our point of view) meets one member of this party, 'the European', and follows him through numerous rooms of the Palace. As each room is entered, we find ourselves in a different period of Russian history (but not in chronological order).
From the YOUTUBE notes:
'Russian Ark,' by Alexander Sokurov, might be the most cinematically groundbreaking work in the last couple of decades simply because it completely challenges that notion by being the most dream-like movie I've seen, while not featuring a single edit.
... 2000 Actors. 300 years of Russian History. 33 Rooms at the Hermitage Museum. 3 Live Orchestras. SHOT IN 1 Single Continuous Shot. 1.5 HOURS LONG!
...
Sure, this type of thing has been done before -- filming in feature-length, in a single, unbroken take -- but it was always a gimmick. Sokurov, that most transcendent of working filmmakers, transcends the gimmick, and 'Russian Ark' is flawless, breathtaking, and visually plausible -- a legitimate accomplishment. Many Russian films are esoterically Russian, and some of the content in 'Russian Ark' certainly is, exploring Russian history, art, tensions and rivalries with European art and European nations, and national identity crisis, but cinematically, the movie is universal. It's universally astonishing.


The narrative and narrator (a narrator in a physical sense only, more of a guide) drift through time and space as time and space become one, indistinguishable. The movie, in its unrelenting continuity and unblinking gaze, not only feels like a dream, but it sort of becomes one.
HERE ARE THREE OF THE TEN PARTS CURRENTLY AT YOUTUBE - PARTS 1 AND 9 AND 10. CHECK THEM OUT. AND CHECK OUT THE OTHER EXCERPTS AT YOUTUBE WHILE YOU CAN.

(SEVEN MINUTES INTO PART 9 IS THE KEY DIALOG OF THE ENTIRE MOVIE.)


Saturday, October 20, 2007

WEEKEND WITH THE ARTS: Tower of Power

There's more to life than war, taxes and politics - and a lot of it's more fun, too! That's why every WEEKEND, here at THE ASTUTE BLOGGERS, we post some of the cultural things we're into, things we think you might also find entertaining, enriching, and stimulating. After all, the arts - ALL ARTS, not just fine arts - are a big part of what our liberty is for, and what we're fighting to defend!

THIS WEEKEND: TOWER OF POWER!

Friday, October 12, 2007

WEEKEND WITH THE ARTS: DRUMS OF PASSION: OLATUNJI!

There's more to life than war, taxes and politics - and a lot of it's more fun, too! That's why every WEEKEND, here at THE ASTUTE BLOGGERS, we post some of the cultural things we're into, things we think you might also find entertaining, enriching, and stimulating. We just might turn you on to something cool.

After all, the arts - ALL ARTS, not just fine arts - are a big part of what our liberty is for, and what we're fighting to defend!

THIS WEEK: BABATUNDE OLATUNJI!


"Babatunde Olatunji was a virtuoso of West African percussion. His 1959 album "Drums of Passion" was a worldwide smash hit. He received a Grammy Award in 1991 for his collaboration with Grateful Dead drummer Mickey Hart on their Planet Drum album. He was also the founder of the Voices of Africa foundation."


CLICK HERE FOR AN NPR REPORT ABOUT OLATUNJI.

LISTEN TO THE SAMPLES BELOW:

Amazon Music Sampler Windows Media
1. Akiwowo (Chant To The Trainman) Listen Listen
2. Oya (Primitive Fire) Listen Listen
3. Odun De! Odun De! (Happy New Year!) Listen Listen
4. Jin-Go-Lo-Ba (Drums Of Passion) Listen Listen
5. Kiyakiya (Why Do You Run Away?) Listen Listen
6. Baba Jinde (Flirtation Dance) Listen Listen
7. Oyin Momo Ado (Sweet As Honey) Listen Listen
8. Shango (Chant To The God Of Thunder) Listen Listen

Editorial Reviews
Amazon.com
When he first appeared on the scene in America, Babatunde Olatunji was acclaimed by artists such as John Coltrane and Dizzy Gillespie; later, his influence was acknowledged by Carlos Santana and the Grateful Dead's Mickey Hart. As influential as this breakthrough record has been, it is delightfully unassuming, simply a straightforward excursion into the rhythms of Nigeria. "Akiwowo" is a joyful evocation of the rhythms that are created by a moving freight train. "Oya", "Jin-Go-Lo-Ba," and "Shango" all feature drumming of fiery intensity. Make no mistake, this recording is about rhythm and percussion, but don't overlook the fact that Olatunji has a distinctive and powerful voice. He uses it to fine effect on a number of pieces on Drums of Passion, at times soaring above the drums, then joining in harmony with others in his troupe. This is a rewarding album that truly deserves the decades of popularity it has enjoyed. --Jeff Grubb
LISTEN TO IT. BUY IT.

Friday, September 28, 2007

WEEKEND WITH THE ARTS: VAN GOGH

There's more to life than war, taxes and politics - and a lot of it's more fun, too! That's why every WEEKEND, here at THE ASTUTE BLOGGERS, we post some of the cultural things we're into, things we think you might also find entertaining, enriching, and stimulating. We just might turn you on to something cool. After all, the arts - ALL ARTS, not just fine arts - are a big part of what our liberty is for, and what we're fighting to defend!

THIS WEEK: VAN GOGH: PAINTER/WRITER .. AND FILM DIRECTOR

NYTIMES:
“My God, if only I had known this country at 25, instead of coming here at 35.” That was Vincent van Gogh, freshly arrived in southern France, with its aromatic fields and star-spilling skies, in 1888. He was writing to his artist-friend Émile Bernard, 15 years his junior.

And he kept writing. On the train through Provence from Paris, his eyes glued to the window, he saw countryside “as beautiful as Japan for the limpidity of the atmosphere and the gay color effects.” Settled in the town of Arles, he stood all day in wheat fields painting “in the full heat of the sun, without any shade whatever, and there you are, I revel in it like a cicada.”

After a year in ashen Paris, he was in a chromatic delirium. He couldn’t stop cataloging the colors he was seeing and using. A painting of an orchard has a “white tree, a small green tree, a lilac field, an orange roof, a big blue sky.” His description of his painting of a sower in a field reads like Gertrude Stein:

“The chrome yellow 1 sky almost as bright as the sun itself, which is chrome yellow 1 with a little white, while the rest of the sky is chrome yellow 1 and 2 mixed, very yellow, then. ... There are many repetitions of yellow in the earth, neutral tones, resulting from the mixing of violet with yellow.”

If verbal accounts seemed inadequate, he drew ink sketches of paintings — of the sower in the field, of the orchard — right in the body of a letter, with the names of colors added. And when the descriptive circuits are overloaded, there are detonations. Frustrated at how to convey the reality that even transparent elements — water and air — have complex color ranges, he ends up shouting on paper: “No blue without yellow and orange.”

All these words, ideas, sensations and images are packed into “Painted With Words: Vincent van Gogh’s Letters to Émile Bernard” at the Morgan Library & Museum, a display of manuscripts that is also something more. Although 20 handwritten letters, given to the Morgan by Eugene and Clare Thaw, are at its center, they are surrounded by nearly two dozen paintings and drawings, half of them by van Gogh, including a splendid self-portrait.
I WILL GO SEE THIS SHOW NEXT WEEK.

BTW: VINCENT'S LETTERS TO HIS BROTHER THEO ARE A MUST READ.
(BUY A DT VERSION HERE.)

******BONUS: RELATED VIDEOS:




Saturday, September 22, 2007

WEEKEND ART: Marche pour la cérémonie des Turcs

There's more to life than war, taxes and politics - and a lot of it's more fun, too!

Besides, the arts - ALL ARTS, not just fine arts - are a big part of what our liberty is for, and what we're fighting to defend!

That's why every WEEKEND we post on some of the cultural things we're into, things we think you might also find entertaining, enriching, and stimulating. And who knows: We just might turn you on to something cool. This weekend, I give you the music of Jean-Baptiste Lully. (I discovered this tune in the GREAT movie TOUS LES MATINS DU MONDE. )



Gabrielli


ART. Because not everything is science, war, or politics. Here is a short piece (about 40 seconds) of some Gabrielli. I was not able to track down which of the Gabriellis wrote this (Som Metal - is the name of the ensemble) so if any one has a clue leave a comment. Was it Giovanni Gabrielli (the most likely choice)? Domenico Gabrielli? Or one of the other members of that illustrious family?

From the comments at Classical Values Eric Blair says that Som Metal is the name of the ensemble. George-NJ says it is Giovanni Gabrielli and beginning of "O Magnum Mysterium" - a Christmas piece. Thanks.

Sunday, September 16, 2007

WEEKEND WITH THE ARTS: Jimmy Smith on the Hammond organ

There's more to life than war, taxes and politics - and a lot of it's more fun, too!

Besides, the arts - ALL ARTS, not just fine arts - are a big part of what our liberty is for, and what we're fighting to defend!

That's why every WEEKEND we post on some of the cultural things we're into, things we think you might also find entertaining, enriching, and stimulating. And who knows: We just might turn you on to something cool. This weekend, I give you the music of Jimmy Smith!

Wednesday, September 12, 2007

IN HONOR OF THE LATE JOE ZAWINUL

MY FAVORITE ZAWINUL BAND: the Cannonball Adderley sextet circa 1962 - Julian "Cannonball Adderley" as, Nat Adderley tp, Yusef Lateef reeds, Joe Zawinul (of later Weather Report fame) p, Sam Jones d, Louis Hayes:

Sunday, September 09, 2007

STEELY DAN

WEEKEND WITH THE ARTS:

There's more to life than war, taxes and politics - and a lot of it's more fun, too!

Besides, the arts - ALL ARTS, not just fine arts - are a big part of what our liberty is for, and what we're fighting to defend!

That's why every WEEKEND, here at THE ASTUTE BLOGGERS, we post on some of the cultural things we're into, things we think you might also find entertaining, enriching, and stimulating. And who knows: We just might turn you on to something cool.

This weekend, I give you the music of Steely Dan:

Saturday, September 08, 2007

DUKE ELLINGTON

WEEKEND WITH THE ARTS: MORE JAZZ - THE QUINTESSENTIAL AMERICAN ART

There's more to life than war, taxes and politics - and a lot of it's more fun, too!

Besides, the arts - ALL ARTS, not just fine arts - are a big part of what our liberty is for, and what we're fighting to defend!

That's why every WEEKEND, here at THE ASTUTE BLOGGERS, we post on some of the cultural things we're into, things we think you might also find entertaining, enriching, and stimulating. And who knows: We just might turn you on to something cool.

This weekend, I give you the music of Duke Ellington:

Sunday, September 02, 2007

WEEKEND WITH THE ARTS: MORE JAZZ - THE QUINTESSENTIAL AMERICAN ART

There's more to life than war, taxes and politics - and a lot of it's more fun, too!

Besides, the arts - ALL ARTS, not just fine arts - are a big part of what our liberty is for, and what we're fighting to defend!


That's why every WEEKEND, here at THE ASTUTE BLOGGERS, we post on some of the cultural things we're into, things we think you might also find entertaining, enriching, and stimulating. And who knows: We just might turn you on to something cool.

This weekend, I give you the music of two GREAT vibraharpists - Gary Burton and Red Norvo. ENJOY!