Those who view his films as compendiums of distorted propaganda may rightly despise Michael Moore, but there’s no denying that his work re-popularized the documentary as an independent art form while effectively promoting his views. Moore and others who followed in his footsteps, such as Morgan Spurlock, whose “Super Size Me” lambasted the fast food industry, created a popular template in which the filmmaker’s personal narrative, interspersed with humor and relentless attempts to expose and thereby belittle the objects of their scorn, set the standard for the genre. But the question for viewers of a newly released film that was created in the spirit of “Roger and Me, ” “Bowling for Columbine” or “Super Size Me” is whether there is an audience for this sort of work if the subject matter is not one that liberals and leftists love to hate.There is a minor drawback to the film as well, that it doesn't really touch upon the UN's obsession with Israel:
In “U.N. Me,” Ami Horowitz and Matthew Grof have done just that. Horowitz, the on-screen personality and narrator, takes his audience on an international tour intended to show that the United Nations is a corrupt talking shop that has made a mockery of the ideals that it was created to promote. As “U.N. Me” makes clear, the world body has criminal peacekeepers who fail to protect the innocent, purposely-blind nuclear inspectors, thieves in charge of food programs, and has a Human Rights Council that is a forum for tyrants and murderers.
To get past the prejudices of filmgoers predisposed to dismiss criticism of the U.N., Horowitz concentrates his fire on the causes that most appeal to liberal sensibilities, such as the genocide in Darfur. That means the number one object of U.N. perfidy — the state of Israel — is conspicuous by its absence in the film. Though so much of what is wrong about the U.N. is illustrated by the widespread anti-Semitism given a hearing in its halls and the double standard by which the democratic State of Israel is subjected to most of the resolutions adopted by the institution, the Jewish state is mentioned only in passing throughout “U.N. Me.” Though this may disappoint some viewers, it’s not a mistake. While it eliminates many of the most egregious instances of U.N. misbehavior, the tactic also allows Horowitz to make his point about its failures without miring his narrative in the rhetorical battlefield of the Middle East conflict.I suppose so, though I'd still like to see that particular subject get a serious look in a documentary like this. In fact, this makes me think of how a great documentary could be made of the European Union's own corruption and pretentious platforms, which also has an obsession with Israel at the expense of Islamofascism, and even Britain's own horrific politics and cultural mindset. If a documentarian were to develop something like that, it could make the perfect mirror for Britain to look into at just how awful they really are.
But even without a discussion of the U.N.’s unfair obsession with Israel, there is more than enough scandalous material to fill several hours, let alone the 90 minutes of “U.N. Me.”