More reasons westerners shouldn't be fooled by Muslim opposition to LGBTQ ideology

Christine Williams and Frank Gaffney spoke about how there's Christians who've partnered with Muslims to oppose LGBTQ indoctrination in USA public schools, and why it's ill-advised to believe the Religion of Peace actually respects values other than its own alleged ones:

As the alliance between opponents of the aggressive LGBTQ++ agenda and Muslims grows, Westerners have been quick to see that Muslim groups get the results that Christians have been unable to gain so effectively on their own. Christians are generally not confrontational and are easy targets, as we saw in Alberta, Canada, when Pastor Derek Reimer was thrown in jail for “hate” after protesting a drag show for kids at a local library. Greater awareness about the alliance with Muslim groups is prudent. While Christians and Muslims can agree about the abhorrent imposition of the trans agenda, as well as the open nudity and vulgarity of some members of the LGBTQ++ community, there are other points of divergence that should be considered.

To start with, in the coverage by mainstream media — which is notorious for its lack of knowledge about Islamic tenets and laws — some have been describing Muslims who oppose the LGBTQ++ agenda as “conservative Muslims.” The term “conservative Muslims” has nothing to do with Western notions of conservatism and/or partisanship; it has everything to do with a Muslims’ level of dedication to Islamic law (the Sharia), and is a term usually reserved for describing the likes of Iranian mullahs, the Taliban and Salafists in general. The misuse of the term “conservative Muslims” in the mainstream media creates the deceptive impression that these Muslims are supporters of Western conservatism or parties that support conservatism. Most of these activist Muslims against the LGBTQ++ agenda are more likely still Democrats or Liberals, given the long established Islamic/Left alliance. There are indeed some Muslims who are aligned with Western conservatism. [...]

But the focus of this Preamble and of the interview below is not the Muslims who stand in unity with non-Muslims for religious freedom and equal rights for all. The focus is on those Muslims who are aligned with Sharia tenets, held by those ranging in beliefs from that of the Iranian regime and the Taliban, to the Muslim Brotherhood in the West. Westerners need to be aware that the LGBTQ++ woke aggression will be used and is being used as a launching pad for the expansion of the scope of the Sharia.

Read the whole item. This is exactly what I'd thought about myself after seeing some of these cases which, to be sure, aren't limited to just the USA-Canada, where Islamists are getting the results Judeo-Christians aren't getting at ease themselves. Those who blindly align with Islam no matter the exact beliefs of specific movements of the Religion of Peace's adherents are running the gauntlet of granting legitimacy to Islam it doesn't deserve, and that's exactly why Judeo-Christian adherents who're realists would do better not to align with Islamists on the LGBTQ issue at all. Glad to see Williams and Gaffney both recognize what's troubling about the situation here.

Islamist in Europe creates transsexual Muslim superhero

In this interview on Yahoo UK, originally from a European LGBT news source, a writer who may be a Muslim came up with something that's unlikely to please all followers of the Religion of Peace, even if it's meant to serve as some kind of bizarre virtue-signaling propaganda for whitewashing Islam:

David Ferguson chatted to Bijhan Agha, creator of the new science-fiction comic Time Wars: the Adventures of Kobra Olympus, which centres around a young gay, trans and Muslim character. He found out more about Agha’s influences, the comic’s story and the Kickstarter campaign to fund the project.

As this is a comic book project, what comics did you like growing up?

You know, I didn’t have a lot of money growing up, and by the ’90s, the cost of comics was quite high relative to the page count. So I didn’t get to read a lot of the comics which were being printed at the time.

But we had a local library, the White Center branch of the King County Library System, where they would have these thick comic book reprints using just the black line artwork on cheap yellow paper. These things had to have at least a hundred issues in each volume.

This is where I experienced the classics. Spider-Man from the 1960s. Justice League from the 1970s. Ninja Turtles and X-Men from the 1980s. But the one that influenced me the most, as a young queer person, was the Wonder Woman comic compendium from the 1940s.

What influenced you about these comics, in a good or possibly bad way?

In all comics, I loved the sense of wonder and imagination. There was no attempt to anchor the storytelling in our own world, allowing for a sophisticated and unpredictable mythology. Yet at the same time, the emotional reality of the characters was crystal clear, allowing you to perfectly understand what they were going through.

In Wonder Woman, in particular, I found a celebration of femininity and a clear thesis on what feminine leadership looks like compared to masculine leadership. This message was planted in me like a seed that wouldn’t sprout until I was much older.

One must wonder what could possibly have impressed upon this writer in WW, seeing how such a classic Golden Age creation didn't emphasize the kind of perversions we see today, where femininity is being villified in women, yet elevated in men. Not to mention that the Religion of Peace practically disrespects femininity when it demands women wear burkas/chadors/abayas at the expense of their health. And the writer of this comic adds insult to injury by emphasizing something WW didn't celebrate decades ago.

For the benefit of those unfamiliar with your comic Time Wars: the Adventures of Kobra Olympus, what would be your ‘elevator pitch’ to readers?

Time Wars is a universe in which time travellers from the 161st century are coming back in time to help us in the past wage a covert war against the Vampires who are manipulating history to create inequality and strife. Kobra Olympus is a young gay trans and Muslim woman who has been recruited by a time-travelling agent to use technology from the future to fight literal monsters who live in the shadows of society.

What if it turns out those "monsters" are metaphors for non-Muslims? Then this is a most hypocritical production, because it'd be elevating Islam and transsexuality for sainthood, while making "infidels" out to be the baddies. This reminds me of a report on a Muslim "scholar" who accused Jews of what the comic tells about. In that case, what if it turns out these vampires are metaphors for Jews? Shudder.

I adore cinema and television, and I would love to write for them in the future. But my experience with comic book adaptations and the “cinemafication” of comics leads me to believe that the story being told must fit the medium.

The medium, as they say, often is the message. For that reason, I tried to abstain from channelling the language of cinema into the comic, and focused on literary and comic inspiration.

This sounds like more virtue-signaling from somebody who read Sean Howe's past commentaries on how too much cinematic approach has ruined modern comicdom, and wants to make it sound like a follower of the Religion of Peace actually respects arguments made by people with far better understandings of what went wrong with comicdom. In other words, we're literally supposed to embrace and adore this writer because he/she is an Islamist?

The personal part of Time Wars was really engaging – it felt genuinely character driven. Did you feel any pressure to represent your Muslim culture as well as the trans community?

I hope we someday reach a time when a trans and/or Muslim artist can create artwork which is sincere and true to themselves without feeling like they’re somehow representing others as well.

When a white American man makes an action movie, he doesn’t think about how it will reflect on white people, Americans, or men; he just makes what he likes. But that’s not an option for people who are marginalized by society. When we make art, politics depersonalizes it and makes it either an achievement or a failure of the label we share with others.

When I wanted to make a comic, I decided to emulate the greats. I had two main inspirations for what I wanted to do. On the one hand, outright activism like Dr Marston and Wonder Woman. When he wrote that comic, he did so with the explicit goal of educating young boys on how to accept feminine leadership and treat women with respect.

Then, on the other hand, you have pure self-expression, like Stan Lee and Spider-Man. Peter Parker’s daily misadventures paralleled Stan Lee’s own troubles with women, cars, rent, and more.

Therefore I wanted to tell an exciting and relatable adventure as Stan Lee would, but with the explicit political goal of fostering goodwill for trans and Muslim people in the nerd community, like Dr Marston would. So, my intention was, first and foremost, to make something fun and entertaining but to inject it with my real lived experiences to show how easy it is for everyone to relate to us when given a chance.

Well this sure is classic hypocrisy indeed. All coming from somebody who refuses to acknowledge the verses in the Koran disrespecting women, how honor murders are legitimized under Islam, or how many women in Islamic regimes are forced to wear niqabs, much like the trans-star of the show in focus is, which sure doesn't provide the wearer with an identity. But, this does raise an important point to make: based on Islam's disapproval of homosexuality for starters, a woman pretending to be a man and/or got a sex change operation would not have her claims accepted in a stringent Muslim regime like Iran and Afghanistan, period, and would be forced to wear a niqab, or could be subject to even worse, like execution. Even a male transsexual could experience a horror story under the sword of the ummah.

So this comic project is little more than an insult to the intellect, topped off by how interviewer and interviewee deliberately make an Islamist look like the smart one to be listened to, all through the lensing of hypocritical double-standards. Or, in other words, taqqiya (deception). Yet based on Islam's ostensible abhorrence for homosexuality, that's why there's little chance the Muslim world in its majority would accept such a propaganda product, which may be marketed more for the non-Muslim world, to serve as deceptive propaganda whitewashing a religion that's very contemptible of femininity, and to make the star of the show a transsexual only heaps on the insults in any event.

Hijabs, mosques and malls: Michigan's Muslim community to star in new TLC reality show

More pro-mozlem propaganda to shove down American's throats: if the government was a mother they would be in jail for child abuse!! 
Mozlems are NOT like normal Americans, they follow the koran, which tells them not to befriend Christians and Jews and think it is just fine and dandy to have sex with six year old children. Would the man kissing his new son, be so gentle if that was a girl??

Families on reality television often seem anything but real – think Kardashians, Simmons or any 'real housewife.'
Yet the featured characters in the new All-American Muslim revel in their ordinariness. In fact, it's the whole point of the series: to demystify a community foreign to many fellow Americans.

Debuting this Sunday on TLC, All-American Muslim features five families from Dearborn, Mich., a city near Detroit with one of the highest concentrations of Arab descendants in the country.

Before the big game: The new show focuses on Fordson High School, which is 95 per cent Muslim

All of the main characters were born and raised in the U.S., and their daily dramas are the stuff of scrapbooks everywhere: getting married, having a baby, opening a new business.
'People need to learn our stories,' said Nawal Aoude, a pediatric respiratory therapist. 'People need to learn who we are. The only time people see Muslims in the media, they are cast in a negative light.'

 

Aoude is pregnant in the first episode of the eight-episode series, which was filmed over the summer. Her husband, Nader, is depicted showing the support and carefully hidden exasperation that fathers-to-be everywhere can appreciate.

More here.